On Sunday we held our second monthly class for the miniature versions of the
Modern Patchwork quilts. Show and Tell from the
first month Metropolis projects was fun -- Ginger and Tina are making full-size quilts, so they're still working, but Liz and Sue had finished projects to show off.
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Liz has a wall hanging ready for her office! |
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Sue made a lovely wall hanging with three Metropolis blocks. |
The Roller Rink block itself is extremely simple to construct, so most of this month's focus was on selecting good runs of fabric to make a nice gradient. We talked about value, and how to use Joen Wolfram's
3-in-1 Color Tool for getting a nice even spacing between the steps of a gradient. I love that tool -- it's like having an entire collection of paint chips at your fingertips! Once everyone settled on their fabrics, the minis went together in no time at all.
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Liz's block had a great contrast between the greens and a fuschia border...like summer watermelon! I know that she has already quilted and bound it too -- way to go!! |
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Nancy joined us this month and made a little wall hanging with a wonderful African feel. I think she was inspired in part by the Newington group quilt. I was impressed at what a difference it made switching to black-and-cream prints rather than black-and-whites. |
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Sarah used shades of grey with a terrific orange contrast border. My photo doesn't really do justice to the orange. |
Ginger chose some cherry pinks with chocolate and cream borders -- I can't wait to see this one, because after I made
Jess's quilt last year that has become one of my favorite color combos. Somehow Sue managed to sneak out before I photographed her block, which was bright greens bordered with vivid red and the lightest possible tint of green. She did a great job contrasting the colors. Tina is using the same greens that Sue used, but bordered with royal and turquoise blues; it will be interesting to compare her analogous color scheme with Sue's complementary-color project.
One thing (which I mentioned in class) that I really love about this block is that, the last time I checked there aren't a heck of a lot of opportunities to use the full seven-color Roy G Biv spectrum -- seven-point stars and heptagons use weird angles -- but this block uses seven two-inch squares: that spells Roy G Biv in my book! My sample block takes advantage of this. I'm not going to add anything else to this little thing. A bit of quilting, a pillowcase facing, and some jingly bells hanging off the bottom. Maybe seven chakra-colored sequins or beads just for the glitz factor.
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I whipped up a single block on Sunday morning before class. When I pulled out the fabrics that I decided to use for every month, I realized that I could fussy cut circles to have a chakras block! If I were yogic-minded, I would hang this in my studio.
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